Quote: (08-21-2017 02:55 PM)Stirfry Wrote:
However, once they revealed Bob, that foundation crumbled and Lynch's heavy-handedness, which works so well for weird and violent sci-fi - style horror, was terribly unsuited for melodrama, hence the crappy stories (James and that older woman and her husband; Andy and Richard and Little Nicky, etc.). There were also immature attempts at comedy (when Ben and Audrey became 'good', Dick is bitten by a pine weasel, and Squiggy became a semi-regular character, for example) although to be fair Lynch and Frost had checked out for most of that season. This season has kept stuff like that to a minimum.
I had a love-hate relationship with the show back in the day, and, since I've had more downtime than usual the last few days, I caught up with the new series.
I always saw the original run as three shows:
- Show 1: It's a very good, subversive Noir up until the Death of Laura's Killer, where the majority of characters instantly-lose all mystery and, therefore, any further reason to intrigue the viewer unless you're into Pure Soap Opera.
- Show 2: Everything after that Death is the 'Mainstream's Idea of Edgy' - that bland favoured state that record companies used to request from musicians back in the day to be 'pop but a
little punky'. For almost half of its run, TP is one of the worst shows that ever existed, and this safer vibe was spun off into shows like "Northern Exposure" and "Picket Fences".
- Show 3: The last episode of the series, and 'Fire Walk With Me', where the focus has become Supernatural, and much more interesting.
Quote: (08-21-2017 03:58 PM)sterling_archer Wrote:
I am still waiting for explanation how PJ in 1989 knew about doppelganger because he pointed at Cooper in FBI office and asked "who you think that is?"
Because PJ was everywhere and nowhere in the Lodge, experiencing past and future simultaneously.
As Malo pointed out: remember Laura's vision of Annie in bed next to her speaking to her after the events of Season 2 in 'Fire Walk With Me', which is forty days in the future from Laura's viewpoint? The pages she wrote in the diary after the event were what Hawk discovered in the bathroom earlier this season.
As the Angel descends to Laura at the end of the movie, Cooper is there with his hand on her shoulder,
a few days before he starts investigating her death.
I always found this 'time loop' aspect added an extra layer of interest to events, and you can see this play out with conversations and scenes sometimes repeating.
This is why, after three episodes of - functionally - the same scene, I have to wonder exactly
where and when Audrey is, because, despite time moving on for the other characters, Audrey is still stuck in the same argument on the same night. As, she stood arguing with her husband on the threshold in the last episode, it was like you could sense her own confusion in the matter: why can't she just
open the door and drive herself to the roadhouse?
Is it possible that the scene we saw at the Roadhouse with the White Trash Chorus discussing
a Billy after Audrey's first scene in the series was misdirection, and Audrey is still in the coma the bomb in Season 2 left her in, (since it's implied in the book that Dark Coop 'visited' her before he vanished, and, given her Son, you could assume he raped her).
Remember, 'Annie' was a ringer based upon on-set jealousy, and not Lynch and Frost's original intention of Earle taking Audrey to the Lodge. Which meant neither Audrey or Coop would have confronted the Lodge with a pure spirit, trapping both their souls there: hence the mean, bitter, dislocated / confused Audrey we're seeing.
Or, it could just be Lynch being Lynch and it's all nothing. This ability to speculate is why I enjoy him.