I have some experience with this scene. About 50% of this also applies to professional musicians.
First, the overabundance of homos and LGBTBBQ in the scene gives them a warped look on social activism and the reality of the world that sexual minorities are just 3-5% of the overall population, not 50%+ as is in their professional and social circle bubbles. This is what makes them froth at the mouth about homosexual rights, consent, and the SJW flavor-of-the-day causes. They're
hypersensitive and get offended over nothing.
Strangely enough though, given that they're hired based on their looks, they typically couldn't care less about fat acceptance.
![[Image: fatter.gif]](https://rooshvforum.network/images/smilies/new/fatter.gif)
Similarly, they generally take care of themselves.
The fags (sometimes) respect a masculine man but may also play the mother hen. Either they'll encourage her to follow their cock-gobbling ways, or they'll put up a defense worthy of Omaha Beach. My advice is to be on outwardly good terms with them, even if you privately disapprove of their lifestyle.
Second, a big motivation for girls (and gays) to pursue performing careers is for the attention - and fame, if they're lucky. Nobody joins theatre just to be in the chorus - it's just another form of attention whoring. Take this into account - attention whores gonna attention whore.
They'll keep pursuing attention whether in or out of a relationship - Facebook, Instagram, Snapchat, the works. They'll also expect extra attention from you. Keep an eye out for beta orbiters getting too close by promising them everything that you're not, and proactively call her out if one gets too close.
Third, they can be hardcore Type A bitches as it takes a competitive personality to keep doing auditions. They're in constant competition with their frenemies about who got the better leading role, who has a better agent, who has the best professional photos, who's skinnier, etc. etc. In particular, they can't be friends with anyone who looks like them and has their role type. Either maintain your frame and bang her out, or pump and dump.
Fourth (at least in specialized theatre programs), girls tend to be starved for masculine cock - and particularly, relationships ( = attention). You can find them conveniently located on your favorite online dating sites...but they don't always self-identify. Search for school names and keywords such as dance, theatre, voice.
Fifth, most theatre jobs involve tours and shows away from home, new cast members they might never see again, etc. You figure out how they fill the void between their legs.
In short, said homoabundance, cock withdrawal, attention whoring, competitiveness, and travel lead to encouraged promiscuity.
That being said, I prefer dance majors > division 1 athletes
![[Image: wink.gif]](https://rooshvforum.network/images/smilies/wink.gif)
if anything, classical dancers (ballet, ballroom) tend to be more feminine and submissive...just watch for the above warning signs.
The best ways to meet dance and theater types in NYC
-Hit on waitresses
![[Image: icon_lol.gif]](https://rooshvforum.network/images/smilies/new/icon_lol.gif)
theatre majors will probably get offended if you bring it up, but the waiter stereotype is very true.
-day game in the afternoon is the best way to meet the theatre and dance types outside of social circle. This is when they're likely going to or from auditions.
Keep in mind, if she's going to an audition, she might be rushed; if she didn't do well, she might be moody. That being said, a bad audition isn't as bad as a bad interview - a girl with talent and an agent (see below) can have an audition every day - both for new jobs and to get noticed by directors. I've heard that the casting couch does exist in Hollywood, but I don't know conclusively about Broadway. Given that I'd estimate 90% of Broadway guys to be gay and the other 10% assumed gay until proven otherwise, the casting couches might be for the gays, not the gals
![[Image: lol.gif]](https://rooshvforum.network/images/smilies/new/lol.gif)
.
Broadway is tough to break into and is worthy of respect. Off-Broadway isn't usually a big deal unless it's near Times Square, not Podunk. Cruise ships are considered even worse, but they pay relatively well - either it's a newbie gig or they need cash. Extra (film) work isn't a big deal unless she has a semi-significant speaking part, but pays fairly well if they can keep getting invited back. Commercials pay extremely well and is comparable to (legit) modeling...but it is as similarly rare as paid modeling roles.
If they can't sing well, they won't make it past a lot of first round auditions. If they can only dance, they'll likely forever be stuck in chorus - if she says she's a better dancer than singer you can comment on it and say she must really like the art as you've heard it's hard to advance...
If doesn't have an agent, she's not a big deal even if she went to school for theatre (either a bad school or she wasn't top 30-50% of her class), so cut her down to size:
You: Oh, you do theatre? That's cool...who's your agent?
A: oh, it's XXX
You: oh, are they a developmental or a boutique?
A: developmental
You: oh, that must be tough, can't they cut you if you're not doing well enough? <don't linger on the topic>
...
B: boutique (generally the better option)
You: oh, how is that? I've heard from friends that boutiques don't have as much access to the best auditions. <cut thread, next conversation topic>
...
C: Well, um...I don't have one. <bullshit excuse for waiting tables>
(Treat her just like an Instagram "model")
You: <disappointed look> oh, that's too bad. My friend signed with a boutique (agent) and she's been getting auditions and callbacks left and right...You must be pretty determined though...blah blah blah...
Ask if she's equity (union, generally not before 25-30) or non equity. If she isn't
and has no aspirations, treat her as an Instagram "model."