Quote: (03-18-2017 12:36 PM)Zelcorpion Wrote:
I think that the propaganda takes it up a notch since they barely lost 100 mio. $ with the Ghostbusters crap.
They realized with the Star Wars Mary Sue and the new Mad Maxine that they can put in tons of feminist and SJW crap into it - so long as they wrap it all in glorious special effects, then the dumbed down public will cough up the cash and watch it. The kids are easily wooed by pure imagery without substance. They don't even notice the feminist memes.
Art has always been about propaganda - I remember reading about the fears the globalists had in the 19th century when the majority of the public became literate. They were afraid that the common people would read real books and find out what evil shit they have been doing. So they pumped out a lot of cheap penny-novels that were literally available for pennies. All of them were about some inane stuff - war and adventure for the men and stories of romantic love with the secret Lord for the ladies. And they realized pretty soon that for most of the public this kind of entertainment was enough to sidetrack them. Today they even have way more powerful tools.
In 30 years they will do a Transgender Superman and Batwoman and the public will love it just as they always do:
![[Image: giphy.gif]](https://media.giphy.com/media/ozcdmYZuPebiU/giphy.gif)
There may be some limits to indoctrination, but I haven't seen them yet frankly.
Say Zel, I thought Ghostbusters tanked? If I understood it lost a lot of money.
When I was in college I took a class on Film History. I took it as an elective and I don't really like movies for the most part, so forgive me if I stumble through this.
We had a section of this class that focused on historical market research of film-goers in America.
I recall that most movies in American theaters are seen by males between 18-40? Also they taught us that all research showed that most women actually went to theaters because male family/significant others dragged them there. Hollywood knew this and would purposely target young males in attempts to drag them out to the theater because they knew that they are even more likely to bring along a girl or their mothers and sisters.
I also remember the professor saying that women historically/culturally in the US, tended not go to movies alone and if the men in their lives were not interested in a certain movie they wanted to see, the chances of them skipping out on seeing that movie was much higher.
Now this was back in 2005 I think.
Has times changed? Is this data legit anymore?
For them to keep making these kinds of movies, I am curious as to where they are getting the justification to get these approvals from studios to produce these. Use to be movies used market research ALOT before making a movie.
Is the market research showing an actual change in American film viewing culture?
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