New Hollywood Movie Promotes Female Promiscuity, Homosexuality, and Transgenderism!
02-10-2018, 11:41 AM"Those who will not risk cannot win." -John Paul Jones
Quote: (02-10-2018 11:41 AM)mpr Wrote:
What matters is who they are on the inside, and if you refuse to date people based on these criteria you're a bad person!
Quote: (08-18-2016 12:05 PM)dicknixon72 Wrote:
...and nothing quite surprises me anymore. If I looked out my showroom window and saw a fully-nude woman force-fucking an alligator with a strap-on while snorting xanex on the roof of her rental car with her three children locked inside with the windows rolled up, I wouldn't be entirely amazed.
Quote: (02-10-2018 12:00 PM)Days of Broken Arrows Wrote:
"Every Day" is based on the novel by David Levithan, a gay writer who specializes in gay Young Adult novels. Yes, that's a subgenre.
Levithan's first novel from 2003 was called "Boy Meets Boy." At the time, its theme was groundbreaking for the Young Adult genre.
However, in the fifteen years that have elapsed since "Boy Meets Boy" was published, the genre has undergone a metamorphosis and the entire industry has gone SJW. Even a vanilla writer like Sarah Dessen now feels the need to alter her style to fit this mode (and her last book, "Once And For All." suffered because of it).
We're in a phase now where the fringe has gone mainstream, so we're now getting this stuff everywhere: Young Adult novels, the movies, music videos, TV shows, etc.
The pendulum is bound to swing the other way soon. One thing that will make it swing back is bad art. This movie, "Every Day," looks like bad art to me.
First of all, the premise is ridiculous: A girl finds herself in a different body every day, but it's always a body of someone the same age. Huh? That's a stretch even for fans of sci-fi. More importantly, this film comes off a too preachy and the acting too earnest to appeal to teens, who don't like to be told what to think.
I could be wrong about this. But I see signs of the left overplaying its hand and losing its audience, as with the Grammys. Wow, do I miss the days of "Not Another Teen Movie" and "American Pie."
Quote: (02-10-2018 12:35 PM)Goldin Boy Wrote:
And how did the transforming teen explain this to its parents? Must make clothes shopping difficult.
I'm with Aurini, you could've make a badass film about serial killer, jewel thief, or a superhero who changes identities everyday but retains the same memories but nope they ruined it with pro-LGBTQIR propaganda.
Quote: (02-10-2018 01:02 PM)questor70 Wrote:
The difference between then and now is the older stuff was played as comedies first, social-commentary a distant second.
This is because back then, sexual differences were treated as more of an annoying fact of life and not as an activist war-cry.
Quote: (02-10-2018 02:12 PM)questor70 Wrote:
Quote: (02-10-2018 02:09 PM)Jetset Wrote:
The sequel where her true love hops through a series of zoo animals will probably be far more controversial.
They made that already and it's gonna sweep the oscars.
Quote: (02-10-2018 02:32 PM)debeguiled Wrote:
...It is pretty obvious that an individual consciousness moving from body to body would have a chaotic effect on society. That is why it is a villain in movies, supernatural, alien, usually evil.
Quote: (02-10-2018 02:44 PM)911 Wrote:
It's one step closer to bestiality than Disney's Beauty and the Beast, but for full-on bestiality, you have the recent German film "Wild" that featured a "romance" between woman and a real wolf, film which was featured at last year's Sundance and received a lot of critical acclaim. The film was directed by this piece of work, Nicollette Krebitz, who also starred in it:
Quote: (02-10-2018 03:06 PM)Elster Wrote:
Quote: (02-10-2018 02:44 PM)911 Wrote:
It's one step closer to bestiality than Disney's Beauty and the Beast, but for full-on bestiality, you have the recent German film "Wild" that featured a "romance" between woman and a real wolf, film which was featured at last year's Sundance and received a lot of critical acclaim. The film was directed by this piece of work, Nicollette Krebitz, who also starred in it:
Are we talking zoofilia on film here?
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Jenkins handles this intimate tale with assurance and delicacy, seducing us with the film's gorgeous photography and drawing us ever deeper into its hero's fraught journey.
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Moonlight is a powerful film, exquisitely made, that tells a story of how love can heal all wounds, especially if that love comes from an unexpected place.
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Jenkins accomplishes what few filmmakers ever succeed at: to move out of the private story into a historical, social and cultural statement, without one element dominating or even detracting from the other.
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This is a quiet and powerful film that everyone should try to catch.
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In Moonlight, Barry Jenkins charts an intimate portrait of the plight of young African-American men and nods to the influence of spirituals in the African-American tradition of the Blues.
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"The film soon moves from the familiar to the foreign, becoming a textured exploration of black masculinity and coming-of-age that plumbs beyond clichés and stereotypes.