When I first saw this scene, I never thought I would be posting it on a forum like this. I was married, pre- red pill, didn't know what the hell I was doing. But...I knew this scene was genius. It's a great example of not only a quick number close, but a great example of building interest and tension in a short time frame.
1 minute (and four seconds). That's it, that's all you need to let a woman know she can trust you with her sexuality. And don't watch it thinking it's just a scripted movie or something like that. This could have happened and will happen again. Actually, the first chic I banged after my divorce was an elevator pickup...not this clever, mostly just asking if she wanted to grab lunch, but still.
- No hesitation. As soon as he steps in the elevator he expresses interest by staring at her, then 'opening her'.
- 6 second stare. He makes her feel slightly uncomfortable before opening her by checking her out. Great preparation for a short simple question, "Are you makin a house call?"
- She doesn't initially reciprocate. Her discomfort is revealed in her response, "Have I seen you professionally?". Note, she's not expressed interest here with her deadpan response...she's still reading this weirdo who stared at her for 6 seconds and knows what she does.
- He indirectly makes fun of her profession. "Guys use their revolver...and then they get to talk to you about their feelings." Watch closely. It's not until the end of this statement that she begins to open up. She smiles and reciprocates possible interest. Notice the text of his statement. There's nothing funny about it. The funny thing is the way he says it, him teasing her about her profession (teasing by proxy...her pussy client cops who have to talk to a therapist because they fired a gun).
- He's self-effacing. The Suffolk / Harvard exchange is funny because he teases her, then when she questions him, he's self-effacing saying he doesn't really know if Harvard has night school. He's making fun of her on absolutely no knowledge of the facts. This screams of irrational self-confidence (https://heartiste.wordpress.com/2012/01/...of-game/).
- The number close. "No that's alright I'm a detective, I'll find you......No seriously I'm joking I need the card." That's a joke on her. He's making fun of her for not getting his joke, and in doing so, eases the number exchange.
The entire scene is a great example of what I use (when doing well) and what I've written of before, ambiguous game. It all screams of plausible deniability. At any point in the interaction, Matt Damon could laugh her off as if he teases all women like this. If she 'rejected him', he could laugh it off as if he wasn't trying to game her anyway. Yes, he expresses genuine interest in her, but in an aloof way. This is what women want. They want a man who keeps them guessing, who is serious but also funny, sincere but sarcastic, who is interested but independent. She knows, or at least perceives, from this minute of interaction, that he would be a safe guy for her to express herself sexually.
(I thought about posting to newbie forum, but I feel this requires a higher level of game. At the very least, it requires a certain level of confidence...maybe even cockiness.)
1 minute (and four seconds). That's it, that's all you need to let a woman know she can trust you with her sexuality. And don't watch it thinking it's just a scripted movie or something like that. This could have happened and will happen again. Actually, the first chic I banged after my divorce was an elevator pickup...not this clever, mostly just asking if she wanted to grab lunch, but still.
- No hesitation. As soon as he steps in the elevator he expresses interest by staring at her, then 'opening her'.
- 6 second stare. He makes her feel slightly uncomfortable before opening her by checking her out. Great preparation for a short simple question, "Are you makin a house call?"
- She doesn't initially reciprocate. Her discomfort is revealed in her response, "Have I seen you professionally?". Note, she's not expressed interest here with her deadpan response...she's still reading this weirdo who stared at her for 6 seconds and knows what she does.
- He indirectly makes fun of her profession. "Guys use their revolver...and then they get to talk to you about their feelings." Watch closely. It's not until the end of this statement that she begins to open up. She smiles and reciprocates possible interest. Notice the text of his statement. There's nothing funny about it. The funny thing is the way he says it, him teasing her about her profession (teasing by proxy...her pussy client cops who have to talk to a therapist because they fired a gun).
- He's self-effacing. The Suffolk / Harvard exchange is funny because he teases her, then when she questions him, he's self-effacing saying he doesn't really know if Harvard has night school. He's making fun of her on absolutely no knowledge of the facts. This screams of irrational self-confidence (https://heartiste.wordpress.com/2012/01/...of-game/).
- The number close. "No that's alright I'm a detective, I'll find you......No seriously I'm joking I need the card." That's a joke on her. He's making fun of her for not getting his joke, and in doing so, eases the number exchange.
The entire scene is a great example of what I use (when doing well) and what I've written of before, ambiguous game. It all screams of plausible deniability. At any point in the interaction, Matt Damon could laugh her off as if he teases all women like this. If she 'rejected him', he could laugh it off as if he wasn't trying to game her anyway. Yes, he expresses genuine interest in her, but in an aloof way. This is what women want. They want a man who keeps them guessing, who is serious but also funny, sincere but sarcastic, who is interested but independent. She knows, or at least perceives, from this minute of interaction, that he would be a safe guy for her to express herself sexually.
(I thought about posting to newbie forum, but I feel this requires a higher level of game. At the very least, it requires a certain level of confidence...maybe even cockiness.)
“Until you make the unconscious conscious, it will direct your life and you will call it fate.”