I've found that success comes with girls I approach during the "peak" hour(s) of a night out. For example, around 11:45-12:30 if the bar/club closes at 2 am.
However, last night I rolled solo and met two cute girls around 10:15 pm and we chilled for a good 40 minutes or so, before the girls decided to bounce to another venue.
I was a bit confused as to what to do with the set because I had things going good, but the "feeling" wasn't the same, as when you got a set hooked at the peak hours, when everyone is drunk, the dance floor is packed, and generally, that feeling of unpredictability is in the air.
What to do with a set you got something good going with early in the night, when the bar/club is barely full, the dance floor ain't got much going on, and everyone is sober?
I had a feeling those girls would be leaving at some point because frankly that club wasn't really one I would see girls like that at.
A few things ran through my mind:
1) Bounce them to another venue, especially since I could tell that wasn't their kind of spot
2) Escalate the set at the same venue (start doing shots, start more heavy kino/touching with the one I was more interested in)
3) Get their number(s) so that if they left, I could follow up later
I wasn't in favor of #3, since numbers in the club/bar haven't really worked for me. I was going for #2 but I think I should have gone with #1. Some other kinda weak guy jumped into the set at one point and started talking to one of the girls, but it wasn't really a good thing, he just was a bit awkward and didn't seem dangerous.
Anyway, I lost that set after investing some 40 minutes into it, but it felt different ,because the vibe of the venue was so chilled out, all I had was light kino going on and I didn't feel like pushing it too hard until the energy of the place went up as the night would go on, but by that time, it was too late.
However, last night I rolled solo and met two cute girls around 10:15 pm and we chilled for a good 40 minutes or so, before the girls decided to bounce to another venue.
I was a bit confused as to what to do with the set because I had things going good, but the "feeling" wasn't the same, as when you got a set hooked at the peak hours, when everyone is drunk, the dance floor is packed, and generally, that feeling of unpredictability is in the air.
What to do with a set you got something good going with early in the night, when the bar/club is barely full, the dance floor ain't got much going on, and everyone is sober?
I had a feeling those girls would be leaving at some point because frankly that club wasn't really one I would see girls like that at.
A few things ran through my mind:
1) Bounce them to another venue, especially since I could tell that wasn't their kind of spot
2) Escalate the set at the same venue (start doing shots, start more heavy kino/touching with the one I was more interested in)
3) Get their number(s) so that if they left, I could follow up later
I wasn't in favor of #3, since numbers in the club/bar haven't really worked for me. I was going for #2 but I think I should have gone with #1. Some other kinda weak guy jumped into the set at one point and started talking to one of the girls, but it wasn't really a good thing, he just was a bit awkward and didn't seem dangerous.
Anyway, I lost that set after investing some 40 minutes into it, but it felt different ,because the vibe of the venue was so chilled out, all I had was light kino going on and I didn't feel like pushing it too hard until the energy of the place went up as the night would go on, but by that time, it was too late.