Influential Men: Rick Rubin's life w/ Kanye, Black Sabbath, Chuck D, Johnny Cash
06-29-2013, 01:29 PM![[Image: 2012.jpg]](https://1.bp.blogspot.com/-pO9fbkzNk7A/USvcuzNC-WI/AAAAAAAADjE/4pWDgJzJaPE/s1600/2012.jpg)
I like reading in depth interviews, where you get a better feel for the person and hear behind the scenes stories. I may do a small series on influential men if people are interested.
This whole interview with Rick Rubin is well done and worth reading all the way through. I've also highlighted some of my favourite parts with relevant links.
He starts off talking about Kanye's new "Yeezus" album, which I thought is easily one of Kanye's worst albums, and now with the back story it starts to make sense:
http://www.thedailybeast.com/newsweek/20...=longreads
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The thing is, when you’re a fan from the outside of something, you can embrace it in a different way than when you’re a fan from the inside. Run-D.M.C. could be sort of gangstery in their own way, pre-gangster rap, because they were suburban kids. Kurtis Blow, who was from Harlem and really around gangsters, he didn’t want to be a gangster. He wanted to look above it and wear leather boots and be more like a rock star. Grandmaster Flash and the Furious Five were really inner-city, hard-life guys, and they wanted to be from outer space.
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From the beginning, all I’ve ever cared about is things being great. I never cared about when they were done. Because I also feel like I want the music to last forever. And once you release it, you can’t go back and fix it, so you really have to get it right. And that takes time.
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I remember hearing the song “Straight Outta Compton” for the first time and I couldn’t believe it. Loved it. And I remember going to see them play. I think it was in Inglewood. It was the first time I saw a lot of guns in hip-hop. Before N.W.A went out on stage, a guy came around with towels, and he opened up the towels and there were loaded guns. And everybody got loaded up to go out on stage. It was unbelievable. And I remember Eazy-E walking around backstage watching a portable TV and holding a machine gun.
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What do you remember most vividly about working with Cash?
On our first album, there was a song he wrote, I can’t remember which one it was, but I listened to it and said, “Do you think you could take some of the ‘I’s and ‘me’s out of it?” And he thought about it and he was like, “Yeah, I think I can do that.” And he did. So 10 years later, I’m visiting him in Nashville. He’s in a wheelchair. He’s blind, pretty much. It felt so awkward. So I said, “What have you been working on lately?” And he said, “I’ve been working on using ‘I’ and ‘me’ less.” And I said, “Really?” And he said, “Yeah. Remember? You gave me that comment on the song? That’s what I’ve been working on.” Incredible. He didn’t mean it in the context of songs. He meant it in the context of life.
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I never decide if an idea is good or bad until I try it. So much of what gets in the way of things being good is thinking that we know. And the more that we can remove any baggage we’re carrying with us, and just be in the moment, use our ears, and pay attention to what’s happening, and just listen to the inner voice that directs us, the better. But it’s not the voice in your head. It’s a different voice. It’s not intellect. It’s not a brain function. It’s a body function, like running from a tiger.