Excellent show. The intro is incredible, one of the most haunting and fitting I've ever seen on television.
WARNING: SPOILERS BELOW
This intro is beautiful yet depressing at the same time. It is incredible how they took a song meant for an anti-nazi musical and made it into a haunting anthem that almost sounds like it could have been made by the Greater Nazi Reich itself. All I can think about when I hear it is what could have been - where would I be had this world come to pass? I don't come up with good answers when I think about that question (I'm not racially kosher by National Socialist standards, nor do I suspect I'd have been warmly welcomes by the Japanese in their racially conscious, stratified empire), so the haunting tone of the song fits. This kind of thing makes me appreciate the world I live in, as awkward and plagued with pathological progressivism as it can be sometimes. At least I'm free to be as I am without getting shot or castrated for being of the wrong genetic lineage.
My favorite part about the show is the exploration of the politics and the dynamics of the Reich and Japan. As a student of history, WW2 (especially WW2 in Europe) was my passion. This alternative history fascinates me because of all of the historical implications. I want to know everything about this alternate world, and Man in High Castle does a pretty good job of showing some of the intricacies of it (from the big bits about SS politics, and the noticeable societal acceptance of abused human rights i.e. burning the disabled, to the little surface things about the supersonic transports and all of the alternate technologies that have become common trappings of daily life). They need to spend more time doing that - the storylines following the resistance were not as interesting as the bits following Tagomi and Smith, IMO. I want to see more of the Reich (take us to Berlin more; show us more of how this expanded empire is governed, and the politics that affect that) and Imperial Japan (how much of Asia do they control? How stable is that control? Are Nazi agents de-stabilizing the empire in Asia? How are Imperial leaders coping individually with the growing tech gap between themselves and the Germans?). Show me how this alternate universe works - give me more of the "House of Cards" style political intrigue. I don't need more of Jules' flakiness and Joe's unrequited affection for her. Give me more of Smith (how'd he become what he is now? How's he going to deal with the issues regarding his son?) and Tagomi-san (does he come back to our time? Has he jumped before? How does this influence his politics and place within the empire?), as well as Kido (I don't like the character as a person, but the actor is excellent and his arc is interesting - dive deeper into why he's who he is, who he reports to, etc).
The ending made it appear as though Hitler is "the man in high castle". Aside from literally living in a high castle, he appears to have many of the films from the alternate universes. The films most certainly do indeed come from alternate universes, as they're too realistic to have been made in the show's timeline. A theory I read (and one I sort of buy) is that Hitler may not be THE many in high castle, but simple "A" man in high castle. He does not gather the films first - someone else (perhaps THE man in high castle or multiple men in high castles - in the book I think it is one man, but the show may change things up pretty drastically) with the power to leap multiverses collects the films and brings them to the show's universe, and Hitler uses the resistance as a tool to gather them. Hitler then uses the films to see potential outcomes and guard against those that are unfavorable to him, thus allowing him to hold onto power. It is also possible that the realities shown in the alternative universes allow the Nazis to gain that technological edge (with enough films of the alternate realities, they can see many of the possible tech innovations that could have come about during within the other timelines and made it happen in their own universe).
A very important bit in the show is the concept of "wu" (I think that's how its spelled). The fine ass J-Girl (Tao Okamoto - 9/10, WB) who the antique-dealing dude made the necklace for mentioned this - she said there was "great sorrow" in the artifact he made, and she could feel it. I think this is a key ingredient in multiverse hopping. Note that Tagomi uses Jule's necklace to do the multiverse jump at the end - Frank made that necklace, and it is like that it too had "wu". Frank has an ability to imbue his artifacts with that necessary ingredient (some combo of true sorrow, meaningful emotion, deep spiritual pain) to make multiverse hopping possible, and that makes him a very special character. There are others in this multiverse who, one way or another, have acquired this "multiverse jumping" ability, and they (or at least one among them) are responsible for all of the videos that show up from other timelines. What the show has yet to tell us is how many people have this ability (Tagomi's assistant is strongly implied to be one of them), how many know this ability even exists (it is strongly implied that Hitler knows, and Tagomi has figured it out by the end of the show), and why they use it the way they do.
I cannot wait for the second season. Happy to hear it is already filming. We need more TV like this.
WARNING: SPOILERS BELOW
This intro is beautiful yet depressing at the same time. It is incredible how they took a song meant for an anti-nazi musical and made it into a haunting anthem that almost sounds like it could have been made by the Greater Nazi Reich itself. All I can think about when I hear it is what could have been - where would I be had this world come to pass? I don't come up with good answers when I think about that question (I'm not racially kosher by National Socialist standards, nor do I suspect I'd have been warmly welcomes by the Japanese in their racially conscious, stratified empire), so the haunting tone of the song fits. This kind of thing makes me appreciate the world I live in, as awkward and plagued with pathological progressivism as it can be sometimes. At least I'm free to be as I am without getting shot or castrated for being of the wrong genetic lineage.
My favorite part about the show is the exploration of the politics and the dynamics of the Reich and Japan. As a student of history, WW2 (especially WW2 in Europe) was my passion. This alternative history fascinates me because of all of the historical implications. I want to know everything about this alternate world, and Man in High Castle does a pretty good job of showing some of the intricacies of it (from the big bits about SS politics, and the noticeable societal acceptance of abused human rights i.e. burning the disabled, to the little surface things about the supersonic transports and all of the alternate technologies that have become common trappings of daily life). They need to spend more time doing that - the storylines following the resistance were not as interesting as the bits following Tagomi and Smith, IMO. I want to see more of the Reich (take us to Berlin more; show us more of how this expanded empire is governed, and the politics that affect that) and Imperial Japan (how much of Asia do they control? How stable is that control? Are Nazi agents de-stabilizing the empire in Asia? How are Imperial leaders coping individually with the growing tech gap between themselves and the Germans?). Show me how this alternate universe works - give me more of the "House of Cards" style political intrigue. I don't need more of Jules' flakiness and Joe's unrequited affection for her. Give me more of Smith (how'd he become what he is now? How's he going to deal with the issues regarding his son?) and Tagomi-san (does he come back to our time? Has he jumped before? How does this influence his politics and place within the empire?), as well as Kido (I don't like the character as a person, but the actor is excellent and his arc is interesting - dive deeper into why he's who he is, who he reports to, etc).
The ending made it appear as though Hitler is "the man in high castle". Aside from literally living in a high castle, he appears to have many of the films from the alternate universes. The films most certainly do indeed come from alternate universes, as they're too realistic to have been made in the show's timeline. A theory I read (and one I sort of buy) is that Hitler may not be THE many in high castle, but simple "A" man in high castle. He does not gather the films first - someone else (perhaps THE man in high castle or multiple men in high castles - in the book I think it is one man, but the show may change things up pretty drastically) with the power to leap multiverses collects the films and brings them to the show's universe, and Hitler uses the resistance as a tool to gather them. Hitler then uses the films to see potential outcomes and guard against those that are unfavorable to him, thus allowing him to hold onto power. It is also possible that the realities shown in the alternative universes allow the Nazis to gain that technological edge (with enough films of the alternate realities, they can see many of the possible tech innovations that could have come about during within the other timelines and made it happen in their own universe).
A very important bit in the show is the concept of "wu" (I think that's how its spelled). The fine ass J-Girl (Tao Okamoto - 9/10, WB) who the antique-dealing dude made the necklace for mentioned this - she said there was "great sorrow" in the artifact he made, and she could feel it. I think this is a key ingredient in multiverse hopping. Note that Tagomi uses Jule's necklace to do the multiverse jump at the end - Frank made that necklace, and it is like that it too had "wu". Frank has an ability to imbue his artifacts with that necessary ingredient (some combo of true sorrow, meaningful emotion, deep spiritual pain) to make multiverse hopping possible, and that makes him a very special character. There are others in this multiverse who, one way or another, have acquired this "multiverse jumping" ability, and they (or at least one among them) are responsible for all of the videos that show up from other timelines. What the show has yet to tell us is how many people have this ability (Tagomi's assistant is strongly implied to be one of them), how many know this ability even exists (it is strongly implied that Hitler knows, and Tagomi has figured it out by the end of the show), and why they use it the way they do.
I cannot wait for the second season. Happy to hear it is already filming. We need more TV like this.
Know your enemy and know yourself, find naught in fear for 100 battles. Know yourself but not your enemy, find level of loss and victory. Know thy enemy but not yourself, wallow in defeat every time.