How's life?
Masculine Melodies
How's life?
Don't forget the classics.
Big Ten Inch
What's that Smell Like Fish
Big Ten Inch
What's that Smell Like Fish
Regurgitator had a very decent song on how Men see women's status climbing skills
summed it up pretty nicely just from the title
I sucked a lot of cock to get where I am
https://youtu.be/Ag43uW4AOFc
summed it up pretty nicely just from the title
I sucked a lot of cock to get where I am
https://youtu.be/Ag43uW4AOFc
Know your enemy.
Not exactly full-on masculine, and a little OT, but it strikes me that Sting's song Jeremiah's Blues is -- ironically -- becoming more and more prophetic as time goes on, specifically with respect to the madness that seems to be social media:
It was midnight, midnight at noon
Everyone talked in rhyme
Everyone saw the big clock ticking
Nobody knew, nobody knew the time
Elegant debutantes smiled
Everyone fought for dimes
Newspapers screamed for blood
It was the best of times
Every place around the world it seemed the same
Can't hear the rhythm for the drums
Everybody wants to look the other way
When something wicked this way comes
Sometimes they tie a thief to the tree
Sometimes I stare
Sometimes it's me
Everyone told the truth
All that we heard were lies
A pope claimed that he'd been wrong in the past
This was a big surprise
Everyone fell in love
A cardinal's wife was jailed
The government saved a dying planet
When popular icons failed
The chaotic, conflicting images -- "Everyone saw the big clock ticking, nobody knew the time; can't hear the rhythm for the drums" -- anticipate the way social media is just a pile of banal, 160-character hatesurfing. Those lines in the chorus -- "Sometimes I stare; sometimes it's me" -- also describe the way social media can turn on its participants in a second. This whole song, probably unintentionally, managed to capture the shittiness of social media about 20 years ahead of it coming to pass. As said, the irony is palpable since the title -- "Jeremiah's Blues" -- refers to a Biblical prophet of doom, Jeremiah.
It was midnight, midnight at noon
Everyone talked in rhyme
Everyone saw the big clock ticking
Nobody knew, nobody knew the time
Elegant debutantes smiled
Everyone fought for dimes
Newspapers screamed for blood
It was the best of times
Every place around the world it seemed the same
Can't hear the rhythm for the drums
Everybody wants to look the other way
When something wicked this way comes
Sometimes they tie a thief to the tree
Sometimes I stare
Sometimes it's me
Everyone told the truth
All that we heard were lies
A pope claimed that he'd been wrong in the past
This was a big surprise
Everyone fell in love
A cardinal's wife was jailed
The government saved a dying planet
When popular icons failed
The chaotic, conflicting images -- "Everyone saw the big clock ticking, nobody knew the time; can't hear the rhythm for the drums" -- anticipate the way social media is just a pile of banal, 160-character hatesurfing. Those lines in the chorus -- "Sometimes I stare; sometimes it's me" -- also describe the way social media can turn on its participants in a second. This whole song, probably unintentionally, managed to capture the shittiness of social media about 20 years ahead of it coming to pass. As said, the irony is palpable since the title -- "Jeremiah's Blues" -- refers to a Biblical prophet of doom, Jeremiah.
Remissas, discite, vivet.
God save us from people who mean well. -storm
Sting is masculine as fuck. There's a reason he was a huge sex symbol in the 80s and still is now.
"As wolves among sheep we have wandered"
R.I.P. Lemmy : 1945 - 2015
Till The End
Till The End
Red pill from Mobb Deep, 1999.
Noteworthy lyric: "After that shit that happened to Tupac, yell rape, show em the tape, just playin' my part."
The answering machine message is lulzy too.
For my 666th post:
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