Quote: (09-13-2014 03:34 AM)Praetor Lupus Wrote:
I know what you're thinking.
Any article with a title like that is going to be a good laugh.
Never heard of her. Did some research.
Her last album was heavily-hyped, yet she was in and out of the UK Charts in one week, at 85.
She didn't crack the Billboard top 200, and only moved 12,000 copies of the album in the US over a year. Sales that dismal would have gotten you dropped from an indie label in the 80's, but she's on Atlantic - a major - and they'd be demanding a return in their financial investment.
They've decided she will be famous, and so she will be, which means selling 'female empowerment' and 'self-love' to narcissistic young women.
Carefully-focused cross-promotional placement of her last single in a hysterical weepy cancer movie that targeted the lucrative and easily-exploitable teen girl crowd has given her a hit, so she will bleat whatever the marketing tells her will make dumb girls give her their money. Expect to see more advertising tie-ins and synergy.
As usual, there are a bunch of expensive (and minimised-in-the-press) mainstream male producers and writers behind her, like Patrik Berger and Ariel Rechtshaid, (since anyone selling girl power rarely seems to involve any female producers and musicians in the process of their own music).
If it was the 80's, they would have farmed her song-writing out to Dianne Warren and Billy Steinberg / Tom Kelly. She'd change a word, get a third of the publishing. She's therefore as empowered and culturally-relevant as, say, Laura Brannigan.