Roosh V Forum
Are gay writers more redpill? - Printable Version

+- Roosh V Forum (https://rooshvforum.network)
+-- Forum: Main (https://rooshvforum.network/forum-1.html)
+--- Forum: Everything Else (https://rooshvforum.network/forum-7.html)
+--- Thread: Are gay writers more redpill? (/thread-58586.html)


Are gay writers more redpill? - R_Niko - 10-02-2016

It occurred to me that some of my favorite living writers happen to be gay: Chuck Palahniuk, Douglas Coupland, Bret Easton Ellis, yet their writing is rarely ostensibly "gay", ie they tend not to write about gay issues or the gay experience. On the contrary, they seem to write about hetero relations and do it exceedingly well (examples: Fight Club, Rules of Attraction, The Gum Thief, Player One). All these guys came of age just prior to the overtaking of mass culture/publishing by the forces of political correctness, so I think that may have something to do with it. Still, the fact that these guys are gay must say something.

None of them are obviously/stereotypically gay. I'm pretty sure they leaned that way later in life as opposed to being the little gay kids in school. Wondering if their insight w/r/t the human condition might have been a factor in their choice of lifestyle, or perhaps (more likely I think) the other way around? ie that not being captivated by women allowed them to see relationships and thus reality more clearly.

What do you think?

Are gay writers more redpill? - WestIndianArchie - 10-02-2016

[Image: popcorn3.gif]

Are gay writers more redpill? - ivansirko - 10-02-2016

[Image: 1bnmig.jpg]

Are gay writers more redpill? - UlteriorMotive - 10-02-2016

[Image: giphy.gif]

Are gay writers more redpill? - weambulance - 10-02-2016

Perhaps as members of a protected class, they know they can get away with saying things straight writers might get blackballed for.

Until the recent technological advances that caused an explosion in independent publishing, it was very dangerous for a writer's career for said writer to have the wrong ideas. Writers are still being pushed out of traditional publishing houses if they dare say or write the wrong thing. Nick Cole is a recent example of that.

I'm an indie writer for a reason. Even if I was willing to put up with the terrible deal traditional publishing is these days, I seriously doubt any large house would publish my work knowing who I am and what I believe.

Are gay writers more redpill? - R_Niko - 10-02-2016

Quote: (10-02-2016 06:26 PM)weambulance Wrote:  

Perhaps as members of a protected class, they know they can get away with saying things straight writers might get blackballed for.

Until the recent technological advances that caused an explosion in independent publishing, it was very dangerous for a writer's career for said writer to have the wrong ideas. Writers are still being pushed out of traditional publishing houses if they dare say or write the wrong thing. Nick Cole is a recent example of that.

I'm an indie writer for a reason. Even if I was willing to put up with the terrible deal traditional publishing is these days, I seriously doubt any large house would publish my work knowing who I am and what I believe.

Yeah. I've been working on a book for some time, and not really sure if it's worth it trying to get published by an indie press or publishing house.

Also: I don't think CP or BEE came out as gay early in their careers. BEE took a lot of heat over American Psycho, and wasn't able to claim protected minority status.

Are gay writers more redpill? - Easy_C - 10-03-2016

Just claim you're a "transgender author" and they will publish it.

Are gay writers more redpill? - ElFlaco - 10-03-2016

Quote: (10-02-2016 05:07 PM)R_Niko Wrote:  

None of them are obviously/stereotypically gay. I'm pretty sure they leaned that way later in life as opposed to being the little gay kids in school. Wondering if their insight w/r/t the human condition might have been a factor in their choice of lifestyle, or perhaps (more likely I think) the other way around? ie that not being captivated by women allowed them to see relationships and thus reality more clearly.

Outsiders sometimes notice things that insiders can't (the classic example being the Frenchman de Tocqueville on America), or they have so little skin in the game that they can speak freely without risk of repercussions. The late psychologist Seth Roberts was a good example of the latter. He knew enough about psychology and statistics to evaluate bogus research in a variety of fields, but he was sufficiently socially isolated from academics so as not to be concerned about his reputation among them. That's a rare but valuable combination.

Camille Paglia is an example of a lesbian who aggressively defended masculinity against the feminists of her generation. She was Milo before Milo was Milo.

Are gay writers more redpill? - R_Niko - 10-03-2016

Quote: (10-03-2016 12:56 PM)Easy_C Wrote:  

Just claim you're a "transgender author" and they will publish it.

A lesbian trapped in a man's body [Image: idea.gif]

Are gay writers more redpill? - Quintus Curtius - 10-03-2016

I don't think it's a matter of being gay, but a matter of having the ability to see things as an outside observer. The best writers have the ability to detach themselves from the immediacy of their surroundings and "see the forest for the trees." That takes a certain perspective that many "mainstream" writers don't have.

Homosexuals traditionally have found themselves to be a marginalized class. This experience, and the experience of being scorned and despised, can give them unique insights into social behaviors that others might not have.

So it's not so much a matter of being "gay", it's a matter of being a good, detached observer. To give another example: some of best commentaries on a nation's culture are usually written by foreigners. (e.g., De Tocqueville, etc.). Why? Because they can use analysis in a way that a native-born citizen cannot.

We can go on and on. I would even say that sometimes the greatest advances in a field are done by people that professionals often scoff at as "amateurs." Why? Because "amateurs" do not have minds that are clouded by traditionalist thinking. Remember that Michael Ventris, an amateur, was the first to decipher the ancient Greek script called Linear B. And Werner Heisenberg was the first to use matrix mathematics as a way to solve experimental problems of the quantum atom.

In the same way, "outsiders" often make the best leaders of a people (e.g., Napoleon being Corsican).

Perspective is everything. Everything.

.

Are gay writers more redpill? - monster - 10-04-2016

Interesting, but I'm not so sure. I think gay people are more naturally drawn to the arts, which includes writing, than straight men become artists.

Bret Easton Ellis, who wrote American Psycho, is gay. The movie was also directed by a woman.

Chuck Pahlniuk, who wrote Fight Club, is gay. The guy who directed the movie, David Fincher, you'd think is gay by the way he speaks but he is not.

Oscar Wilde, who was also gay, wrote, "To reveal art and conceal the artist is art's aim." I don't think to write about themes of human nature as the above three authors do is tied to sexual preference, but just being able to write well and insightfully: "There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all."

Are gay writers more redpill? - Hannibal - 10-04-2016

Why no one has brought up Jack Donovan, author of The Way of Men.

To answer the OP, no, I'm not sure if gays have a more "redpill" perspective. It really depends on the guy and how much he cares about the opinions of others, women included.

Are gay writers more redpill? - R_Niko - 10-06-2016

Something from DF Wallace, hetero writer, circa 1997, from Brief Interviews w/ Hideous Men... red pill AF:


B.I. #28 02-97
YPSILANTI MI [SIMULTANEOUS]
K——:‘What does today’s woman want. That’s the big one.’
E——:‘I agree. It’s the big one all right. It’s the what-do-you-call….’
K——:‘Or put another way, what do today’s women think they want versus what do they really deep down want.’
E——:‘Or what do they think they’re supposed to want.’
Q.
K——:‘From a male.’
E——:‘From a guy.’
K——:‘Sexually.’
E——:‘In terms of the old mating dance.’
K——:‘Whether it sounds Neanderthal or not, I’m still going to argue it’s the big one. Because the whole question’s become such a mess.’
E——:‘You can say that again.’
K——:‘Because now the modern woman has an unprecedented amount of contradictory stuff laid on her about what it is she’s supposed to want and how she’s expected to conduct herself sexually.’
E——:‘The modern woman’s a mess of contradictions that they lay on themselves that drives them nuts.’
K——:‘It’s what makes it so difficult to know what they want. Difficult but not impossible.’
E——:‘Like take your classic Madonna-versus-whore contradiction. Good girl versus slut. The girl you respect and take home to meet Mom versus the girl you just fuck.’
K——:‘Yet let’s not forget that overlayed atop this is the new feminist-slash-postfeminist expectation that women are sexual agents, too, just as men are. That it’s OK to be sexual, that it’s OK to whistle at a man’s ass and be aggressive and go after what you want. That it’s OK to fuck around. That for today’s woman it’s almost mandatory to fuck around.’
E——:‘With still, underneath, the old respectable-girl-versus-slut thing. It’s OK to fuck around if you’re a feminist but it’s also not OK to fuck around because most guys aren’t feminists and won’t respect you and won’t call you again if you fuck around.’
K——:‘Do but don’t. A double bind.’
E——:‘A paradox. Damned either way. The media perpetuates it.’
K——:‘You can imagine the load of internal stress all this dumps on their psyches.’
E——:‘Come a long way baby my ass.’
K——:‘That’s why so many of them are nuts.’
E——:‘Out of their minds with internal stress.’
K——:‘It’s not even really their fault.’
E——:‘Who wouldn’t be nuts with that kind of mess of contradictions laid on them all the time in today’s media culture?’
K——:‘The point being that this is what makes it so difficult, when for example you’re sexually interested in one, to figure out what she really wants from a male.’
E——:‘It’s a total mess. You can go nuts trying to figure out what tack to take. She might go for it, she might not. Today’s woman’s a total crap-shoot. It’s like trying to figure out a Zen koan. Where what they want’s concerned, you pretty much have to just shut your eyes and leap.’
K——:‘I disagree.’
E——:‘I meant metaphorically.’
K——:‘I disagree that it’s impossible to determine what it is they really want.’
E——:‘I don’t think I said impossible.’
K——:‘Though I do agree that in today’s postfeminist era it’s unprecedentedly difficult and takes some serious deductive firepower and imagination.’
E——:‘I mean if it were really literally impossible then where would we be as a species?’
K——:‘And I do agree that you can’t necessarily go just by what they say they want.’
E——:‘Because are they only saying it because they think they’re supposed to?’
K——:‘My position is that actually most of the time you can figure out what they want, I mean almost logically deduce it, if you’re willing to make the effort to understand them and to understand the impossible situation they’re in.’
E——:‘But you can’t just go by what they say, is the big thing.’
K——:‘There I’d have to agree. What modern feminists-slash-postfeminists will say they want is mutuality and respect of their individual autonomy. If sex is going to happen, they’ll say, it has to be by mutual consensus and desire between two autonomous equals who are each equally responsible for their own sexuality and its expression.’
E——:‘That’s almost word for word what I’ve heard them say.’
K——:‘And it’s total horseshit.’
E——:‘They all sure have the empowerment-lingo down pat, that’s for sure.’
K——:‘You can easily see what horseshit it is as long as you remember to start by recognizing the impossible double bind we already discussed.’
E——:‘It’s not all that hard to see.’
Q.
K——:‘That she’s expected to be both sexually liberated and autonomous and assertive, and yet at the same time she’s still conscious of the old respectable-girl-versus-slut dichotomy, and knows that some girls still let themselves be used sexually out of a basic lack of self-respect, and she still recoils at the idea of ever being seen as this kind of pathetic roundheel sort of woman.’
E——:‘Plus remember the postfeminist girl now knows that the male sexual paradigm and the female’s are fundamentally different—’
K——:‘ Mars and Venus. ’
E——:‘Right, exactly, and she knows that as a woman she’s naturally programmed to be more highminded and long-term about sex and to be thinking more in relationship terms than just fucking terms, so if she just immediately breaks down and fucks you she’s on some level still getting taken advantage of, she thinks.’
K——:‘This, of course, is because today’s postfeminist era is also today’s postmodern era, in which supposedly everybody now knows everything about what’s really going on underneath all the semiotic codes and cultural conventions, and everybody supposedly knows what paradigms everybody is operating out of, and so we’re all as individuals held to be far more responsible for our sexuality, since everything we do is now unprecedentedly conscious and informed.’
E——:‘While at the same time she’s still under this incredible sheer biological pressure to find a mate and settle down and nest and breed, for instance go read this thing The Rules and try to explain its popularity any other way.’
K——:‘The point being that women today are now expected to be responsible both to modernity and to history.’
E——:‘Not to mention sheer biology.’
K——:‘Biology’s already included in the range of what I mean by history.’
E——:‘So you’re using history more in a Foucaultvian sense.’
K——:‘I’m talking about history being a set of conscious intentional human responses to a whole range of forces of which biology and evolution are a part.’
E——:‘The point is it’s an intolerable burden on women.’
K——:‘The real point is that in fact they’re just logically incompatible, these two responsibilities.’
E——:‘Even if modernity itself is a historical phenomenon, Foucault would say.’
K——:‘I’m just pointing out that nobody can honor two logically incompatible sets of perceived responsibilities. This has nothing to do with history, this is pure logic.’
E——:‘Personally, I blame the media.’
K——:‘So what’s the solution.’
E——:‘Schizophrenic media discourse exemplified by like for example Cosmo—on one hand be liberated, on the other make sure you get a husband.’
K——:‘The solution is to realize that today’s women are in an impossible situation in terms of what their perceived sexual responsibilities are.’
E——:‘I can bring home the bacon mm mm mm mm fry it up in a pan mm mm mm mm.’
K——:‘And that, as such, they’re naturally going to want what any human being faced with two irresolvably conflicting sets of responsibilities is going to want. Meaning that what they’re really going to want is some way out of these responsibilities.’
E——:‘An escape hatch.’
K——:‘Psychologically speaking.’
E——:‘A back door.’
K——:‘Hence the timeless importance of: passion.’
E——:‘They want to be both responsible and passionate.’
K——:‘No, what they want is to experience a passion so huge, over-whelming, powerful and irresistible that it obliterates any guilt or tension or culpability they might feel about betraying their perceived responsibilities.’
E——:‘In other words what they want from a guy is passion.’
K——:‘They want to be swept off their feet. Blown away. Carried off on the wings of. The logical conflict between their responsibilities can’t be resolved, but their postmodern awareness of this conflict can be.’
E——:‘Escaped. Denied.’
K——:‘Meaning that, deep down, they want a man who’s going to be so overwhelmingly passionate and powerful that they’ll feel they have no choice, that this thing is bigger than both of them, that they can forget there’s even such a thing as postfeminist responsibilities.’
E——:‘Deep down, they want to be irresponsible.’
K——:‘I suppose in a way I agree, though I don’t think they can really be faulted for it, because I don’t think it’s conscious.’
E——:‘It dwells as a Lacanian cry in the infantile unconscious, the lingo would say.’
K——:‘I mean it’s understandable, isn’t it? The more these logically incompatible responsibilities are forced on today’s females, the stronger their unconscious desire for an overwhelmingly powerful, passionate male who can render the whole double bind irrelevant by so totally over-whelming them with passion that they can allow themselves to believe they couldn’t help it, that the sex wasn’t a matter of conscious choice that they can be held responsible for, that ultimately if anyone was responsible it was the male.’
E——: ‘Which explains why the bigger the so-called feminist, the more she’ll hang on you and follow you around after you sleep with her.’
K——:‘I’m not sure I’d go along with that.’
E——:‘But it follows that the bigger the feminist, the more grateful and dependent she’s going to be after you’ve ridden in on your white charger and relieved her of responsibility.’
K——:‘What I disagree with is the so-called. I don’t believe that today’s feminists are being consciously insincere in all their talk about autonomy. Just as I don’t believe they’re strictly to blame for the terrible bind they’ve found themselves in. Though deep down I suppose I do have to agree that women are historically ill-equipped for taking genuine responsibility for themselves.’
Q.
E——:‘I don’t suppose either of you saw where the Little Wranglers’ room was in this place.’
K——:‘I don’t mean that in any kind of just-another-Neanderthal-male-grad-student-putting-down-women-because-he’s-too-insecure-to-countenance-their-sexual-subjectivity way. And I’d go to the wall to defend them against scorn or culpability for a situation that is clearly not their fault.’
E——:‘Because it’s getting to be time to answer nature’s page if you know what I mean.’
K——:‘I mean, even simply looking at the evolutionary aspect, you have to agree that a certain lack of autonomy-slash-responsibility was an obvious genetic advantage as far as primitive human females went, since a weak sense of autonomy would drive a primitive female toward a primitive male to provide food and protection.’
E——:‘While your more autonomous, butch-type female would be out hunting on her own, actually competing with the males for food.’
K——:‘But the point is that it was the less self-sufficient less autonomous females who found mates and bred.’
E——:‘And raised offspring.’
K——:‘And thus perpetuated the species.’
E——:‘Natural selection favored the ones who found mates instead of going out hunting. I mean, how many cave-paintings of female hunters do you ever see?’
K——:‘Historically, we should probably note that once the quote-unquote weak female has mated and bred, she shows an often spectacular sense of responsibility where her offspring are concerned. It’s not that females have no capacity for responsibility. That’s not what I’m talking about.’
E——:‘They do make great moms.’
K——:‘What we’re talking about here is single adult preprimipara females, their genetic-slash-historical capacity for autonomy, for as it were self-responsibility, in their dealings with males.’
E——:‘Evolution has bred it out of them. Look at the magazines. Look at romance novels.’
K——:‘What today’s woman wants, in short, is a male with both the passionate sensitivity and the deductive firepower to discern that all her pronouncements about autonomy are actually desperate cries in the wilderness of the double bind.’
E——:‘They all want it. They just can’t say it.’
K——:‘Putting you, today’s interested male, in the paradoxical role of almost their therapist or priest.’
E——:‘They want absolution.’
K——:‘When they say “I am my own person, ” “I do not need a man, ” “I am responsible for my own sexuality, ” they are actually telling you just what they want you to make them forget.’
E——:‘They want to be rescued.’
K——:‘They want you on one level to wholeheartedly agree and respect what they’re saying and on another, deeper level to recognize that it’s total horseshit and to gallop in on your white charger and overwhelm them with passion, just as males have been doing since time immemorial.’
E——: ‘That’s why you can’t take what they say at face value or it’ll drive you nuts.’
K——:‘Basically it’s all still an elaborate semiotic code, with the new postmodern semions of autonomy and responsibility replacing the old premodern semions of chivalry and courtship.’
E——:‘I really do have to see a man about a prancing pony.’
K——:‘The only way not to get lost in the code is to approach the whole issue logically. What is she really saying?’
E——:‘ No doesn’t mean yes, but it doesn’t mean no, either.’
K——:‘I mean, the capacity for logic is what distinguished us from animals to begin with.’
E——:‘Which, no offense, but logic’s not exactly a woman’s strong suit.’
K——:‘Although if the whole sexual situation is illogical, it hardly makes sense to blame today’s woman for being weak on logic or for giving off a constant barrage of paradoxical signals.’
E——:‘In other words, they’re not responsible for not being responsible, K——’s saying.’
K——:‘I’m saying it’s tricky and difficult but that if you use your head it’s not impossible.’
E——:‘Because think about it: if it was really impossible where would the whole species be?’
K——:‘Life always finds a way.’

Are gay writers more redpill? - GetRichOrdie - 10-13-2016

I doubt that, because for all the gay writers that are redpill, which seem to be small in number, what about the greater numbers that are blue pill?

You cant start this thread without mentioning Naked Lunch and William S Burroughs. That movie is hilariously out there, the book must be off the Richter scale.

Are gay writers more redpill? - Deepdiver - 10-13-2016

THIS THREAD ON RVF REALLY ???

Two posts up a rambling essay about what primitive and modern women really want deep down??? Really after 100 Million copies of the 50 Shades of freaky gray sex trilogy were sold?

Gays red pill ... WTFS??? ... someone needs to order all the bang books and READ all the newby and game threads on RVF to execute an emergency self intervention naked with a sexy woman in bed with the 50 shades movie on... if that does not get your motor revved in hard er ah high gear you need to turn in your RVF card. NO REALLY.

Are gay writers more redpill? - Green-On-GO - 10-13-2016

My biggest ally at work is a Gay dude.The guy really stands up against female bullying...and lesbian bullshit.The lesbians hate him.He likes masculinity and hates transgender.He hates the feminisation going on.
I never thought as a red piller my support would be a gay man.He hates the current all white men are bad bullshit.
He is just not afraid to lose pussy.Whereas the hetro blue pillers are.
I actually call hetro dudes faggots now, the thirst ,the cowardice and living by an old set of rules makes me sick.
I'm not Mgtow .Not giving a fuck leads to abundance I've found for me.And it's drawn more women to me at work.I'm just not afraid to lose pussy anymore.

Are gay writers more redpill? - R_Niko - 10-13-2016

Quote: (10-13-2016 05:33 AM)Deepdiver Wrote:  

THIS THREAD ON RVF REALLY ???

Two posts up a rambling essay about what primitive and modern women really want deep down??? Really after 100 Million copies of the 50 Shades of freaky gray sex trilogy were sold?

Gays red pill ... WTFS??? ... someone needs to order all the bang books and READ all the newby and game threads on RVF to execute an emergency self intervention naked with a sexy woman in bed with the 50 shades movie on... if that does not get your motor revved in hard er ah high gear you need to turn in your RVF card. NO REALLY.

How in God's name did you get 72 rep points..

Are gay writers more redpill? - R_Niko - 10-13-2016

delete

Are gay writers more redpill? - puckerman - 10-15-2016

Gay men can get away with a lot more than straight men can. Jim Peron writes articles for the Huffington Post that are often pro-capitalism. He can get away with this because he is gay.

Are gay writers more redpill? - Deepdiver - 10-15-2016

Quote: (10-13-2016 10:06 AM)R_Niko Wrote:  

Quote: (10-13-2016 05:33 AM)Deepdiver Wrote:  

THIS THREAD ON RVF REALLY ???

Two posts up a rambling essay about what primitive and modern women really want deep down??? Really after 100 Million copies of the 50 Shades of freaky gray sex trilogy were sold?

Gays red pill ... WTFS??? ... someone needs to order all the bang books and READ all the newby and game threads on RVF to execute an emergency self intervention naked with a sexy woman in bed with the 50 shades movie on... if that does not get your motor revved in hard er ah high gear you need to turn in your RVF card. NO REALLY.

How in God's name did you get 72 rep points..

By NOT worshiping the likes of MILO and faggotry in general.

MAN RULE - first man to bring up the topic of anything gay, bi or faggotry associated in general is the one with identity issues.

This crap never crosses the minds of healthy straight neomasculine MEN. NOT PHUCKING EVER.

Are gay writers more redpill? - R_Niko - 10-15-2016

Quote: (10-15-2016 01:18 PM)Deepdiver Wrote:  

Quote: (10-13-2016 10:06 AM)R_Niko Wrote:  

How in God's name did you get 72 rep points..

By NOT worshiping the likes of MILO and faggotry in general.

MAN RULE - first man to bring up the topic of anything gay, bi or faggotry associated in general is the one with identity issues.

This crap never crosses the minds of healthy straight neomasculine MEN. NOT PHUCKING EVER.

Milo is a lot more red pill than the average Western Beta...